Still

A still from a film I will finish sooner than later, because it's taken me too long this time.

Surface Tension

Notes Na 6 Tygodni No. 51

Some works of mine are featured in the most recent issue of the Polish Arts Magazine: Notes Na Tygodni (Notes For 6 Weeks).
The images accompany an interview with Mark Fisher, author of the blog K-Punk and his relation to the concept of Hauntology.

The article starts on page 94. It's all in Polish, but you can always pull some Googlese. At the least it will be amusing and perhaps a bit skewed and ghostly.

Notes Na 6 Tygodni No. 51 PDF

K-Punk

Michel Auder

My friend Michel has his new film screening in NYC right now. It's a work of totality of the life of an artist and it's amazing.

Music in the way I've been thinking..#1

I've been really into what is deemed as "Post-Minimalist" and "Contemporary Classical" composers as of late... Something I sort of delved into back in undergrad for a bit. Now seems to be coming back in a personal resurgence. I nice breath of musical fresh air in the world of instant downloads. Something slower, conceptual and inherently linked to the past and present musical and artistic environments.

Here is one:

Ingram Marshall

And an interview with him:

Ingram Marshall interview

To me this music has a direct link to my bread and butter of electronic artists such as Aphex Twin, et al..

I may make this an ongoing series of linkages.

On the street..

Sorry.. Maybe next time...

China 1983

Fascinating Images



Shenzhen circa now



Shenzhen circa 1983

Investigative reporter Seymour Hersh describes 'executive assassination ring'

Via the Minnesota Post

City

iphone/ipod shuffle backlash

Buttons and knobs


Give me knobs and buttons any day over the virtual

I've been saying this for a while and this is why I will not use an iphone... I feel like Apple is making the same mistake that music/audio companies made in the late 80's/early 90's with hardware and interfaces. All based on menus and a lack of the tactile.. Nowadays, you can see the trend in music devices has shifted away from all of that and back to a more analog sensibility and sometimes even going back to pure analog...

This gallery on one of the most read tech blogs is a good example of this slow building backlash.

builder vor boatin

Builder Vor Boatin

Drawings, sketches, models and samples
Nine Hamburg art students (Martin Jaekel, Jamis Marwitz, Johannes Erik Oldendorf, Egle Otto, Christian Rothmaler, Phillip Schwalb, Anna Steinert, Johanna Tiedtke) and three artists working in New York (Davide Balula, Sean Dack, Rachel Garrard)
Curated by Dirk Skreber

March 7th - April 18th
Opening March 7th, 7-9pm
Hours Thursday - Saturday 12-6pm

Silvershed
119 West 25th Street, PH, New York, NY 10001
(Between 6 & 7th Avenues) Tel: 1-646-322-3324
www.thesilvershed.org http://www.thesilvershed.org/bvb.htm

With special thanks to Ditze-Stiftung, Ingo Offermanns, Radeberger Pils, and TheTheyCo.com


Press Release:

Silvershed opens its second season of artist-curated shows with an exhibition organized by Dirk Skreber. The artists gathered for the show are nine art students of Skreber's from Hamburg, and three artists working in New York: Davide Balula, Sean Dack, and Rachel Garrard (from Paris, LA, and London, respectively.) The show is playfully titled 'Builder Vor Boatin' as a German-English wordplay that sounds like 'Pictures are forbidden' in German (bilder verbotten!) The show presents sketches, photos, proposals and plans for visualizing future artworks free of practical or physical limitations...

Eight of the German students partake in a project combining their proposals into one concept. Their stated plan is to build a future model of a utopic universe based on the potato as an idea for a structure, a material, as well as a symbol. Their project, entitled "2020 - The Beginning of Überding" references art-historic links from Mario Merz to Jörg Immendorf: "The picture must assume the funktion of the potato".

Sean Dack describes a tour - a plan for an installation - replete with a ticking heartbeat in an anechoic acoustical foam-lined hallway. A cacophony of stretched audio, a projection of failed filmed project as well as a sculptural totem related to an earlier work, is conveyed in text and model.

Balula's project is for Mexico City, where everything has been built on lakes. Now that so much of the local water is being drawn from the ground, many of the buildings in Mexico City are hollowing into the ground. Balula’s project converts the forces of the attraction in the ground into elevation dedicated to the famous Latin American Tower.

Garrard's entry for the show describes a proposal for an exhibition called ‘The space in between’. In her extensive proposal, "representing a non-solid state referring to the energy and light between the physical, mental and spiritual bodies. The work deals with the portrayal of life showing the sensitivities that often go unnoticed, the anxiety pain and beauty of the world and the struggle to exist." Accompanying video stills and drawings show the placement of an oblique screen (distorting or undistorting a distorted image?) of projection of her body rendered in a time-altering slowed down and stretched out plasticized space.

Egle Otto’s drawings of a wearable sculpture of a dress festooned with sculptural hands projecting in space from extended rods speaks to issues of autonomy and proxemics, evocative of Rebecca Horn's early sartorial artworks, but multiplied in a Post-Modern Baroque style.

While known primarily for his paintings, Skreber, a leading contemporary German artist working in New York, has also widely shown installation interventions and model-based sculpture. Many of these sculptures are pieces that are completed by the viewer imagining inhabiting or traversing the suggested space, - which often takes a humorously terrifying form and scale.


Builder Vor Boatin will be on view Thursday-Saturday 12-6pm from March 7th-April 18th
Reception Saturday March 7th from 7-9pm. Opening Remarks by Martin Köttering (President, HFBK)

Special thanks to Ditze-Stiftung, Ingo Offermanns, Radeberger Pils, and TheTheyCo.com

For further information contact Ambre Kelly, Ambre@thetheyco.com


Silvershed is an artist-run not-for-profit contemporary art space. Organized as an opportunity for artist led discussion amongst artists, curators, critics and the public, Silvershed explores issues of 21st century consciousness through exhibitions, moderated artist talks, and film screenings. The 2009 season is curated by invited artists to organize conceptually rigorous exhibitions that would be difficult to realize in commercial venues. Silvershed is a sponsored project of Fractured Atlas, a non-profit arts service organization.

CCTV

15 Step

Kinda wish they had done Myxomatosis. Ha.

Sightings

Plan/ Sketch #2

Lecture: Thursday Feb 12th at 5PM

Lecture: Thursday Feb 12th at 5PM Columbia College, Chicago

Closings#1

Downtown

Plan/Sketch

Seems like not everyone is doing so bad these days.

PS. I did not find this, somebody else did today. Also, obviously not my receipt.

City Tryptych Part 1/3

The Mezzanine

Dressed Up Like Art Galleries

Circling

Munich 2008

New Sculpture

"Untitled #4(Blue/Red)", 2008
consumer electronics encapsulated in rubber
30" x 13" x 20"

Courtesy of Fredric Snitzer Gallery, Miami

Paul/ Miami

Police Presence

In The Future

Contemplating what's going to happen....

World record BASE jump off the Burj Dubai

Staccato

Staccato, Los Angeles's premiere up and coming lady DJ duo have a new mix up. Check it.



Definition Mix

Buchla

Really excellent jam on a Buchla Modular by Alessandro Cortini.
More at www.blindoldfreak.com.

Back to posting

Anniversary

Sunday was the three year anniversary of this blog.. Didn't think I would keep it up this long to be honest.
I really can't think about much else until tomorrow is over, but at that point I'll do some sort of real post.
Thanks always,

SD

Obama-Biden 2008

Let's do this..

Find your polling place here:


Google maps

Part of the Weekend Never Dies

Clip from the tour documentary about my friends in Soulwax. Directed by the amazing Saam Faramand, and featuring other bros like Mr. J. Murphy.

theanyspacewhatever

theanyspacewhatever

October 18 2008, VERSUS: Carl Craig. At Cité de la Musique, Paris, France

Carl Craig + « Les siècles » orchestra + the pianist Francesco Tristano ? An improbable alliance that was quite simply mind-blowing ! This unique meeting between a classical ensemble and techno music was powerful, solemn and danceable all at once! For the concoction to work, it needed a guide: Carl Craig. Originator of the project, the emblematic Detroit producer/DJ worked with pianist Francesco Tristano to arrange his compositions for an orchestra. Distinguished guest, Moritz Von Oswald made a valuable contribution to the project, offering fans a rhythmic arrangement and a new piece co-written with Carl Craig. The result is impressive: a unique sound aesthetic that breaks down barriers between seemingly incompatible music styles – as described by François Xavier Roth, musical director and conductor of the “Siècles” orchestra: “There is no hierarchy in music, only a quest for high standards”. Historic concert !

A scout

Turbulence

Dubai # 2

Unique Digital C-Print 24"x30" 2008

CROSSROADS / ROCK MY RELIGION

Sean Dack "No Encore" Installation View, 2001

CROSSROADS / ROCK MY RELIGION
OCTOBER 10th 2008 - JANUARY 7th 2009
Interfaces between Rock Music and Contemporary Art (1956 – 2006)
DA2 Domus Artium 02 /Salamanca_Spain

ARTISTS: Saadane Afif / Doug Aitken / Cory Arcangel / Kenneth Anger / John Baldessari / Mathew Barney / Joseph Beuys / Christa Biederbick / Marc Bijl / Dara Birnbaum / Peter Blake / Slater Bradley / Olaf Breuning / Janet Cardiff / Danny Clinch / Tony Cockes / Bruce Conner / Felix Curto / Bruce Davidson / Mike Kelley/Destroy All Monsters / Sean Dack / John DiStefano / Sam Durant / Jon Mikel Euba / William English / Robert Frank / Ugnius Gelguda / J. L. Godard / Douglas Gordon / Dan Graham / Rodney Graham / Bob Gruen / Andreas Gursky / Richard Hamilton / José Iges / Derek Jarman / Nam June Paik / Judith Barry&Richard Kern / Largen&Brea / David Lamelas / Mark Leckey / / Robert Longo / Gered Mankowitz / Christian Marclay / Jose Luis Martín Frías / Enrique Marty / Malcom Mclaren / Robert Mapplethorpe / Dave Allen&Jonathan Monk&Douglas Gordon / Ronald Nameth / Albert Oehlen / Yoko Ono / Tony Oursler / Pejac&TMori /Jose Luis Pérez Quiroga / Jamie Reid / Raymond Pettibon / Robert Rauschenberg / Mick Rock / Mimmo Rotella / Jon Savage / Ira Schneider / Mark Seliger / Stephen Shore / Linder Sterling / Miguel Trillo / Gavin Turk / Alan Vega / Alejandro Vidal / Andy Warhol / Alfred Wertheimer / Vivienne Westwood / Ernst C. Whiters / David Wojnarovicz / Baron Wolman / X_PRZ.
CURATED BY:Javier Panera
ORGANIZED BY:EXPLORAFOTO.
Festival internacional de fotografía de Castilla y León
INFORMATION: DA2 _DOMUS ARTIUM 2002 / Avenida de la Aldehuela s/n / 37003 Salamanca_Spain / T [34] 923184916 / F [34] 923183235
www.ciudaddecultura.org/da2
da2@ciudaddecultura.org

BlogBubble

Band Crash

Let them eat cake (we skip dessert anyway)

Unreal City, Under the brown fog of a winter dawn,

Meghan, you need to brush up on your irony and Marxism...

Megan McCain and Stereolab's "Ping Pong"


From Pitchfork.com


"OK, let me get this straight. For a blog post about her father's debate with Democratic Presidential Candidate Barack Obama on Friday night-- a debate that centered a whole lot around our country's recent economic catastrophe-- the "Song of the Day" was Stereolab's "Ping Pong"?! Really?!

Here are the lyrics to "Ping Pong" (according to various lyrics websites, and verified by going back and listening to the song again):

it's alright right 'cos the historical pattern has shown
how the economical cycle tends to revolve
in a round of decades three stages stand out in a loop
a slump and war then peel back to square one and back for more

bigger slump and bigger wars and a smaller recovery
huger slump and greater wars and a shallower recovery

you see the recovery always comes 'round again
there's nothing to worry for things will look after themselves
it's alright recovery always comes 'round again
there's nothing to worry if things can only get better

there's only millions that lose their jobs and homes and sometimes accents
there's only millions that die in their bloody wars, it's alright

it's only their lives and the lives of their next of kin that they are losing
it's only their lives and the lives of their next of kin that they are losing

it's alright 'cos the historical pattern has shown
how the economical cycle tends to revolve
in a round of decades three stages stand out in a loop
a slump and war then peel back to square one and back for more

bigger slump and bigger wars and a smaller recovery
huger slump and greater wars and a shallower recovery

don't worry be happy things will get better naturally
don't worry shut up sit down go with it and be happy

dum, dum, dum, de dum dum, de duh de duh de dum dum dum... ah ah
dum, dum, dum, de dum dum, de duh de duh de dum dum dum... ah ah

OK. OK. I'm going to go out on a limb and suggest that Meghan McCain didn't just pick this song randomly, since she usually picks songs that have something to do with what her blog posts are about. So what the hell is going on here?

A) Meghan McCain completely doesn't understand sarcasm and truly believes that this song is about how the economy will just work itself out and everything will be all right. (See also: Ronald Reagan's re-appropriation of Springsteen's "Born in the U.S.A.")
B) Meghan McCain is using this song as a critique of people who are against the government's proposed $700 million bailout of Wall Street, which her father supports. "Uh huh, the free market is going to fix everything, ha ha," she says. "Riiiiight."
C) Meghan McCain wants to overthrow the entire capitalist system!"

New Show/ New Work

For Shot Spot, at Geoffrey Young Gallery, Great Barrington, MA

DJ Mix

One of my best bros has posted an amazing mix online..

Go check it out.



DJ Max Pask ‘Escape From Planet Max Pask’

Massive

New Show

S H O T S P O T

October 4–November 1, 2008

Xaviera Simmons
Tom Whitridge
Scott B. Davis
Joseph Michael Lopez

Katrine Le Gallou
Thierry Dubreuil
Jason Eskenazi
Aura Rosenberg

Sean Dack
John Miller
Joyce Pensato
James Siena

James Welling
Laurie Simmons
Ariane Lopez-Huici
Chris Gentile

(Curated by Katia Santibanez & G. Young)

Opening Reception: October 4th, 5:30–7:30pm
Gallery Hours: Thu.–Sat., 11–5pm

Geoffrey Young Gallery
40 Railroad Street
Great Barrington, MA 01230
413-528-6210
art@geoffreyyoung.com

http://www.geoffreyyoung.com/

Dystopia Now

It's in the books

New

See you on the dark side of the moon...

RIP Richard Wright..

David Foster Wallace R.I.P.

LA TImes


Gawker

Probably the most important contemporary author for me.. Very sad.

From "Oblivion"

“But it does have a knob, the door can open. But not in the way you think. But what if it could? Think for a second—what if all the infinitely dense and shifting worlds of stuff inside you every moment of your life turned out now to be somehow fully open and expressible afterward, after what you think of you has died, because what if afterward now each moment itself is an infinite sea or span or passage of time in which to convey it, and you don’t even need any organized English, you can as they say open the door and be in anyone else’s room in all your own multiform forms and ideas and facets? Because listen—we don’t have much time, here’s where Lily Cache slopes slightly down and the banks start getting deep, and you can just make out the outlines of the unlit sign for the farmstand that’s never open anymore, the last sign before the bridge—so listen: What exactly do you think you are? The millions and trillions of thoughts, memories, juxtapositions—even crazy ones like this, you’re thinking—that flash through your head and disappear? Some sum or remainder of these? Your history? Do you know how long it’s been since I told you I was a fraud? Do you remember you were looking at the RESPICEM watch hanging from the rearview and seeing the time, 9:17? What are you looking at right now? Coincidence? What if no time has passed at all? The truth is you’ve already heard this. That this is what it’s like. That it’s what makes room for the universes inside you, all the endless inbent fractals of connection and symphonies of different voices, the infinities you can never show another soul. And you think it makes you a fraud, the tiny fraction anyone else ever sees? Of course you’re a fraud, of course what people see is never you. And of course you know this, and of course you try to manage what part they see if you know it’s only a part. Who wouldn’t? It’s called free will, Sherlock. But at the same time, it’s why it feels so good to break down and cry in front of others, or to laugh, or speak in tongues, or chant in Bengali—it’s not English anymore, it’s not getting squeezed through any hole. So cry all you want, I won’t tell anybody. But it wouldn’t have made you a fraud to change your mind. It would be sad to do it because you think you somehow have to. It won’t hurt, though. It will be loud, and you’ll feel things, but they’ll go through you so fast that you won’t even realize you’re feeling them (which is sort of like the paradox I used to bounce off Gustafson—is it possible to be a fraud if you aren’t aware that you’re a fraud?). And the very brief moment of fire you’ll feel will be almost good, like when your hands are cold and there’s a fire and you hold your hands out toward it.”

Intercontinental

Der Baader Meinhof Komplex

Trailer, W bonus Can soundtrack.

Der Baader Meinhof Komplex

And Home...

Water Tricks and Ghosts

City Coated in Neon Optimism

Malls in China

I've always wanted to screen a film about police states, control, paranoia and capitalism in a mall in China. So here you go.
"If You See Something, Say Something." Shown at the Bailian Xijiao Shopping Mall, center court, Shanghai, China. (Throw in a little Bentham-esque architecture to boot).

more new

Delia Derbyshire Early Dance track

Amazing

NYC

Wood Paneling and Ocean Sounds

Stanley's Boxes

New

House of Cards

In Radiohead's new video for "House of Cards", no cameras or lights were used. Instead, 3D plotting technologies collected information about the shapes and relative distances of objects. The video was created entirely with visualizations of that data.

Directed by James Frost
From the album IN RAINBOWS

Counterfeit

Retail

Extended

Ghost Hardware at Daniel Reich Gallery has been extended through July 12...

Daniel Reich Gallery 537A W 23rd st

Tony Kaye talks about Stanley Kubrick

When the cameras come around

My mother and the house I grew up in, captured by google street view..

Event at Daniel Reich Gallery June 26th 2008

Artforum Critics Pick

Ghost Hardware in Artforum

Non-niche vinyl resurgence

Via CNN

Songs

Got this from Simon's blog

via Man Like Dan


"List seven songs you are into right now. No matter what the genre, whether they have words, or even if they’re not any good, but they must be songs you’re really enjoying now, shaping your spring. Post these instructions in your blog along with your 7 songs. Then tag 7 other people to see what they’re listening to."


1. Cutty Ranks "Limb by Limb" and the Style of Eye "The Big Kazoo (Nacho Lovers' Limb By Limb edit)"

2. AFX "Xmd5a" off of Analord 10

3. Michael McDonald "What a Fool Believes"

4. Autechre "Altibzz" from Quaristice LP

5. Hercules and Love Affair "Raise Me Up" from Self Titled LP

6. Air France "June Evenings" from "No Way Down" EP

7. The Notwist "Where In This World" from "The Devil, You + Me" LP

EXTRA!

Bark Psychosis "A Street Scene" from "Hex" LP

I'll probably spruce this post up with some images and maybe some links soon.

The Future As Disruption at The Kitchen

The Future As Disruption

The Kitchen

512 West 19th Street, New York, NY 10011 212-255-5793 www.thekitchen.org

June 18–August 1
Opening Reception: Wednesday, June 18, 6-8pm

Curated by Rashida Bumbray and Matthew Lyons

The genre of science fiction, in all its various manifestations in books, television, music, and movies, has long provided a rich and valuable resource for artists who seek to critique contemporary society by looking forward. Science fiction transports us beyond the horizon of our current technologies and established ways of life in order to enable a renewed outlook on the present and, in particular, on today’s pressing political issues such as the environment, consumerist culture, and life during wartime. By envisioning possible ramifications of the technological, social, psychological, and political conditions of our current moment, the artists in this exhibition create works in sculpture, video, painting, and photography that are evocative of a daily existence quite distinct from our own. Artists include Julieta Aranda, Joan Banach, Sean Dack, Jonah Freeman,Olalekan B. Jeyifous, Simone Leigh, Ann Lislegaard, Adam Pendleton, Mungo Thomson, and William Villalongo.

Exhibition Hours: Tue-Fri, 12-6pm; Sat 11-6pm FREE

This exhibition is made possible with generous support from The Andy Warhol Foundation for the Visual Arts, the Dedalus Foundation, Inc., and with public funds from the New York City Department of Cultural Affairs and the New York State Council on the Arts, a state agency.

Alice Remixed.

By electronic artist Pogo via youtube.

"The music video for my song 'Alice', an electronic piece of which 90% is composed using sounds recorded from the Disney film 'Alice In Wonderland'. Download the full song in 128kbps MP3 format here:"

http://www.last.fm/music/Pogo/_/Alice

Radiohead "Nude" "remix"

Video by James Houston
jim@1030.co.uk
--------
Radiohead held an online contest to remix "Nude" from their 10th album - "In Rainbows" This was quite a difficult task for all the electronic musicians that entered, as Nude is in 6/8 timing, and 63bpm. Most music that's played in clubs is around 120bpm and usually 4/4 timing. It's near impossible to mix a waltz beat into a DJ set.

This resulted in lots of generic entries consisting of a typical 4/4 beat, but with arbitrary clips from "Nude" thrown in so that they qualified for the contest.

Thom Yorke joked at the ridiculousness of it in an interview for NPR radio, hinting that they set the competition "for a laugh" and to find out what would come out of such an impossible task.

I decided to take the piss a bit, as the contest seemed to be in that spirit.

Based on the lyric (and alternate title) "Big Ideas: Don't get any" I grouped together a collection of old redundant hardware, and placed them in a situation where they're trying their best to do something that they're not exactly designed to do, and not quite getting there.

It doesn't sound great, as it's not supposed to.

Sinclair ZX Spectrum - Guitars (rhythm & lead)
Epson LX-81 Dot Matrix Printer - Drums
HP Scanjet 3c - Bass Guitar
Hard Drive array - Act as a collection of bad speakers - Vocals & FX

Sunset on Mars, May 19th 2005

Untitled

Opening Saturday May 24th 6-8 pm

Daniel Reich Gallery is very pleased to present a new solo exhibition by Sean Dack, Ghost Hardware, featuring new photographs and sculpture.

Sean Dack’s new photographs expound upon Dack’s pursuit of the cryptography of digital images and the unpredicted errors intrinsic to their transmission. Malformed and missing crucial “blocks” of data, such images belie the digital nature of our illusionistic virtual world: abrasive ruptures while watching a DVD (causing one to manually tap the player) or while loading an image in ones computer Browser. Rendered in dubiously pop CMYK cyans, hot pinks and electric blues: Dack’s partially decipherable subjects appear dynamic and mobile. Yet since digital “glitches,” tangle and halt the flow of information, Dack’s “stopped” images seem to express an isolated impersonal world. This impersonal world is hermetic - outside of the orbit of the world at large - enclosed in the obsessive-compulsive space of computer screen work and folly. A helicopter hovers, the ostentatious rounded terraces of a postmodern hotel signify grotesque vacuous luxury, and the faces of glamorous women are obscured by formal pixel blocks. As the resolution of digital images has improved in a few decades, the appearance of the evident square of the pixel is nostalgic yet tinged with the recollection of non-user-friendly computing: not completely enveloping computing distinguished by its imperfect pixilated line and the healthy differentiation between daily life which is merely mapped instead of replicated. As Dack’s colors are garish, his pixels are aesthetically dubious: evocative of early “computer drawing” and “poor taste” is also at issue in Dack’s work. And yet Dack’s glossy prints are formal and function sculpturally as seductive reflective slabs. In this way, there are aspects of Jacques Derrida’s concept of “hauntology”. As Derrida“s theory of “hauntology” has recently been ascribed to music and popular culture, it is the glimmering, shimmering and suggested - a quality attributable to Dack’s prints and sculptures. In the distant “reality” “obscured” by Dack’s formal pixel stripes, there is a heady mystery in terms of indecipherable action beneath the pixels, the color and the gloss of the print. And in the midst of a day-glow palate, there is foreboding and blocky subsumed death as though one is among bright ghosts and half rendered covert actions. Yet this same day-glow formal block quality has a modish goofy celebratory insouciance in rambling irregular staggered bars of information.

The loss of capacity to relay meaning is also captured in Dack’s excellent Ghost Hardware sculptures in attractive candy primary colors. These works are John McCracken-like: cast in bright hues making the oblongs of obsolete stereo components (tape deck, multi disk c.d. changer etc.) into formal sculptures. While their largess, once made them enticing objects emblematic of auditory superiority, they now have a mute slab like quality albeit bright yet bleak in their import.

Recently, Dack participated in “The Hidden” at Maureen Paley in London. His solo show at Fred Snitzer Gallery in Miami was exceptionally received. In the past year, he has exhibited at the Moore Space, The Moscow Biennial, and in a Peter Coffin curated exhibition at Frank Elbaz in Paris. Last summer Dack produced the book Future Songs as a mail exhibition in conjunction with Daniel Reich Gallery. Dack has also exhibited at Hiromi Yoshi in Tokyo and will be included in “The Future as Disruption” at The Kitchen this summer.

For additional information please contact Daniel Reich Gallery at 212 924 4949 or at daniel@danielreichgallery.com / www.danielreichgallery.com. Gallery hours are Tuesday through Saturday from 11:00am - 6:00pm.

New Exhibition

Sean Dack "Ghost Hardware" at Daniel Reich Gallery, New York. Opening May 24th. More information to follow shortly.

The State Itself Becomes a Super Whatnot

Liam Gillick at Casey Kaplan Gallery

Beijing #6 (Conference Room)